• William Kentridge

    on 'The Refusal of Time'

    How can we get a hold of time with our body and mind? This question is the crux of South African artist William Kentridge’s immersive installation ’The Refusal of Time.’ Join the artist for a detailed tour of his pulsing, breathtaking work.

  • Jonas Hassen Khemiri

    On Facing the Blank Page

    For Swedish author and playwright Jonas Hassen Khemiri facing the blank page is always “a kind of revenge.” Hear why the acclaimed author – who has been praised by Joyce Carol Oates – considers starting anew as a chance to do even better.

  • Jonas Hassen Khemiri

    Reading Has to Be Dangerous

    Swedish author Jonas Hassen Khemiri spent his youth reading Faulkner and imitating the rapper Nas, who taught him that “grammar is secondary to telling the story.” Meet the writer who has been named the voice of his generation.

  • Marina Abramović

    On Giacometti

    Marina Abramović has always felt a connection to the work of artist Alberto Giacometti: “It’s like a meteorite coming out of another galaxy where all the matter inside is condensed.” Watch her engage with Giacometti’s iconic sculptures.

  • Tal R

    Painting is like Free Falling

    “Art is the only place I can bear disappointment,” says Danish artist Tal R, who paints sex shops and dreams of making a clay pigeon fly. Meet one of Denmark’s leading artists in this engaging and humorous interview on the nature of art.

  • 8 Artists

    On Painting

    ”A painting must always move beyond its subject,” says British painter Michael Simpson, who sees the practice of painting as ”giving form to an idea.” Hear how he, David Hockney and 6 other painters work with the classical art form.

  • Chigozie Obioma

    Everything We Do is Preordained

    Award-winning Nigerian author Chigozie Obioma calls his debut novel ‘The Fishermen’ “an Igbo version of a tragedy.” Meet the author and hear about his modern day metaphor of “the paradox that is Nigeria.”

  • Katinka

    No Glitter Added

    “I’m just a girl with a ukulele,” says up-and-coming Danish singer-songwriter Katinka, who tries hard not to become too self-conscious. “It’s not an image or a persona. It’s just me.”

  • Ed Ruscha

    Words Have No Size

    The road to being an artist was “like blind leading the blind” says Ed Ruscha, who grew to be one of the most recognised American artists of the 20th century. Hear the story of West Coast Jazz, his break with abstract art and L.A. in the 1960s.

  • Ed Ruscha

    Tribute to L.A.

    “New York was the absolute centre of the art world. We were like Australia.” Ed Ruscha, the quintessential Los Angeles artist, remembers L.A. in the 1950s: a dusty outback of the establishment. Hear about the city that continues to fascinate him.

  • Karin Mamma Andersson

    Paintings as Weapons

    “It is the psyche of the artist that is the product, it sprung from your own well, it’s your own water,” says Sweden’s great painter Karin Mamma Andersson in this portrait. “The moment you dig into something, it becomes a sort of self-image.”

  • Daniel Richter

    On Vienna vs. Berlin

    “As ‘a working tourist’ in Vienna you see all these smells of the past and not all of them are disgusting.” Hear why German painter Daniel Richter prefers Vienna – where he works as professor at the Akademie der Bildenden Künste Wien – over Berlin.