Thomas Vinterberg

Thomas Vinterberg

About a scene by Bergman

Film director Thomas Vinterberg talks about his inspiration from Ingmar Bergman, in particular one farting-scene in 'Fanny and Alexander' which has inspired him in his work, not least in his famous 'The Celebration'.

In this interview Danish film director Thomas Vinterberg (director of 'The Celebration', 1998), who won a 2012 Cannes award for the film The Hunt, talks about the 'farting uncle' in Swedish director Ingmar Bergmans four-part TV movie Fanny and Alexander (1980), and how he feels this scene is a symbol of the finest art of film making. Silly scenes can be very memorable and they are an example of how movies can capture life, he explains. There are other reasons why he is such a fan of Fanny and Alexander, one of which is that the family is the epicenter of important emotions such as love and claustrophobia. "A family is always a very ritualized organism" Vinterberg says. "Families also implies past" and is the only institution which you don't choose yourself.

Vinterberg also explains how he tries to make his films naive, to see things through the eyes of a child, in order to create a straight honest vision of the world. The grown up characters in his films are often childlike, unreflected and irrational, driven by their emotional life. Irrationality is a great tool in filmmaking, Vinterberg says.

Ingmar Bergman has been a huge inspiration to Vinterberg, who was lucky enough to meet him and get his advice. Vinterberg says he has stolen a lot of stuff from Bergman - for instance a scene in The Celebration - and adds how Bergman also admitted to having copied scenes from other filmmakers. "It's all done in admiration" Vinterberg says.

Interview by Synne Rifbjerg.

Camera: Mathias Nyholm.

Edited by: Martin Kogi

Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2013

  • Ibrahim Al-Koni

    In the desert we visit death

    The desert means freedom. It is the only place where we can stare death in the face, and return home safely afterwards. Meet Libyan writer Ibrahim Al-Koni for a rare talk about the desert as a literary place.

  • Georg Baselitz

    My idol Edvard Munch

    Meet the legendary painter Georg Baselitz in this short interview about his idol Edvard Munch and their mutual interest in psychological mutilation: ”There is a method of drawing through which one recognizes that something isn't right.”

  • Georg Baselitz

    Only in art the world is whole

    ”The most intact world is the world of art. Nothing is better or more interesting to me than paintings.” Renowned German artist Georg Baselitz looks back on his life, his roots and inspirations, and considers where he is at today.

  • Humberto Campana

    A material flirt

    Did you ever dream of design with a sense of Brazilian sensuality and playfulness? Meet Brazilian designer Humberto Campana from the renowned Campana brothers design team in this short video, where he shares his inspirations.

  • Kjartansson/The National

    A lot of sorrow

    "I don't want to get over you." Icelandic artist Ragnar Kjartansson got the American indie rock band The National to perform their song 'Sorrow' repeatedly in a six hour live loop at MoMA PS1, New York. Louisiana Channel was there to document the performance.

  • Nick Cave

    The world is my skin

    Have you ever wished that you could put on a suit which would open up the imagination and take you to the world of your dreams? In this video artist Nick Cave presents his wearable sculptures, the 'Soundsuits', made from discarded everyday materials.

  • Yahya Hassan

    Poems of rage

    Aged just 18, Danish-Palestinian Yahya Hassan has caused a stir and received death threats because of his powerful poetry collection, which sold in 100.000 copies, criticizing the hypocrisy of the welfare state, his family and Muslims in Denmark.

  • Jonathan Meese

    A soldier saluting art

    Can an artist do the 'heil'-salute like the Nazis did during WW2? Artist Jonathan Meese was taken to court in Germany and won the trial. Here the artist explains why it is important to empty symbols of their meaning when fighting political ideology.

  • Aernout Mik

    A sense of uncertainty

    There is something going on, something disturbing, and we don’t know what it is. Meet the Dutch video artist Aernout Mik, who often works without sound: "I think the image is sharper, much sharper, without it."

  • Kerry James Marshall

    Paint it black

    Imagine being seen for who you really are, a central figure in narration. In this powerful interview American artist Kerry James Marshall talks about how he explores the presence and absence of the black figure in art history.

  • Richard Tuttle

    Artists are like clouds

    An emotional interview with the award winning post minimalist Richard Tuttle, known for his subtle, intimate works: ”Artists they’re from nature, they come out of nature, they’re like the clouds that just happen.”

  • Linda Perhacs

    Dental hygienist & music legend

    The incredible story of the dental hygienist Linda Perhacs who as a young woman in 1970 published a groundbreaking album which nobody noticed. Half a century later she discovered that it had gone worldwide on the Internet.