Dash Snow, whom The New York Times has called “the latest incarnation of that timeless New York species, the downtown Baudelaire” was “one of these guys who lives his art, his character was his creation,” Dan Colen says in this video about their relationship and how it influenced Colen’s life and work.

“Our work were very different, but we had a major influence on each other, both personally and professionally… We took a road trip, we wanted the energy that we were accustomed to and had to create the energy ourselves… it wasn’t a public performance, it wasn’t for an audience. It was how we dialogued almost. It was about how we were affectionate, it was about our relationship,” Colen says and tells the story about how the gallery owner Jeffrey Deith gave them the keys to the gallery where they lived for a week, transforming the place into ‘a hamster cage’ of people and activities.

Dash Snow died in 2009 at the age of 28: “We had a special connection, that was very intimate. But it gave me a kind of clarity to loose him,” Colen says. Colen’s show ‘Poetry’ at the Gagosian Gallery in 2010 dealt with Snow’s death: “You walked in from 24th Street and saw a large brick wall. Series of motorcycles that were knocked down like a domino next to each other. Behind the motorcycles was a painting of empty bottles on a table. I started it before Dash’s death and I finished afterwards. And my life style changed a lot and my relationship to everything did. It became a kind of icon for that moment of my life.”

Dan Colen (b. 1979) is known as the bad boy of post-pop in New York. Colen’s visual art consists of many medias such as painted sculptures, graffiti inspired paintings and installations.

Ryan McGinley (b. 1977) is a photographer. In 2003 at the age of 25 McGinley was one of the youngest artists to have a solo show at The Whitney Museum of American Art.

Dan Colen was interviewed by Jesper Bundgaard in New York City in the spring of 2014.

Camera and edit: Per Henriksen
Produced by: Out of Sync and Christian Lund
Copyright: Louisiana Channel, Louisiana Museum of Modern Art, 2014

Supported by Nordea-fonden